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2017
Krishnan-Barman, Sujatha; Forbes, Paul A. G.; Hamilton, Antonia F. de C. (2017): How can the study of action kinematics inform our understanding of human social interaction?. In: Neuropsychologia 105, S. 101-110. DOI: 10.1016/j.neuropsychologia.2017.01.018

DOI: http://www.ncbi.nlm.nih.gov/pubmed/28119002

Abstract: The kinematics of human actions are influenced by the social context in which they are performed. Motion-capture technology has allowed researchers to build up a detailed and complex picture of how action kinematics vary across different social contexts. Here we review three task domains-point-to-point imitation tasks, motor interference tasks and reach-to-grasp tasks-to critically evaluate how these tasks can inform our understanding of social interactions. First, we consider how actions within these task domains are performed in a non-social context, before highlighting how a plethora of social cues can perturb the baseline kinematics. We show that there is considerable overlap in the findings from these different tasks domains but also highlight the inconsistencies in the literature and the possible reasons for this. Specifically, we draw attention to the pitfalls of dealing with rich, kinematic data. As a way to avoid these pitfalls, we call for greater standardisation and clarity in the reporting of kinematic measures and suggest the field would benefit from a move towards more naturalistic tasks.

Keywords: Favoriten, Imitation, Interaktion, interference of social interaction, Kinematics, kinematics and social interaction, Kinematik, kinematische Dimension, Kontext, Körperbewegungen / Kinematik, Modelle/Theorien, Motor, Observablen/Kriterien für sozial angemessenes Verhalten und dessen Bewertung, social, social interaction, Soziale Angemessenheit
2011
McKee, Eric J. (2011): Decorum of the Minuet, Delirium of the Waltz. A Study of Dance-Music Relations in 3/4 Time. Bloomington, IN: Indiana University Press (Musical Meaning and Interpretation). Online verfügbar unter https://ebookcentral.proquest.com/lib/gbv/detail.action?docID=4766639

Abstract: Much music was written for the two most important dances of the 18th and 19th centuries, the minuet and the waltz. In Decorum of the Minuet, Delirium of the Waltz, Eric McKee argues that to better understand the musical structures and expressive meanings of this dance music, one must be aware of the social contexts and bodily rhythms of the social dances upon which it is based. McKee approaches dance music as a component of a multimedia art form that involves the interaction of physical motion, music, architecture, and dress. Moreover, the activity of attending a ball involves a dynamic network of modalities—sight, sound, bodily awareness, touch, and smell, which can be experienced from the perspectives of a dancer, a spectator, or a musician. McKee considers dance music within a larger system of signifiers and points-of-view that opens new avenues of interpretation.

Keywords: Anblick, Architektur (allg), Berührung, Electronic books, Geräusch, Geruch, Gestik, History and criticism, Kinematik, Klang, Kleidung, Körperbewegungen, Körperbewusstsein, Körperrhythmus, Kulturelle Rituale, Mikrobiologische Zusammensetzung von Körpersekreten, Mimik, Minuet (Dance), Musik, Originaltitel zu einem berits eingepflegten book review, ort, Proxemik, Raum, Sonstiges, Soziale Rituale, Tanz, Teilnehmender vs. Zuschauer, Visuelle Wahrnehmung, Waltzes

2017

2011

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