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  • 2016

  • Lee, Raymond L. M. (2016): Diagnosing the Selfie. Pathology or Parody?: Networking the Spectacle in Late Capitalism. In: THIRD TEXT 30 (3-4), S. 264-273

    Abstract: Social networking sites are now reportedly flooded with millions of selfies, the purportedly narcissistic tendency to reproduce with webcams and smartphones self-images intended for widespread online dissemination. Like the chain-letter craze of yesteryears, selfies have become fast reduplicating memes targeted at no single destination and orbited in digital space as self-identities transformed into virtual signs. Psychological interpretations cast them as pathological manifestations of low self-esteem and attention-seeking behaviour, perhaps even a form of psychosis. However, defenders attempt to demonstrate selfie circulation as a reality sui generis with its own codes of communication and decorum that may even suggest the formation of new digital communities. However, this defence neglects the question of selfies as spectacles in network culture coinciding with the growth of surveillance practices. Intensification of spectacles aided by the spread of new media technologies may be seen as favouring an interpretation of selfies as reflecting the power of network memes rather than a pathological manifestation of narcissism.

  • 2015

  • Criado, Natalia; Such, Jose M. (2015): Implicit Contextual Integrity in Online Social Networks. In: Information Sciences 325, S. 48-69. DOI: 10.1016/j.ins.2015.07.013

    Abstract: Many real incidents demonstrate that users of Online Social Networks need mechanisms that help them manage their interactions by increasing the awareness of the different contexts that coexist in Online Social Networks and preventing them from exchanging inappropriate information in those contexts or disseminating sensitive information from some contexts to others. Contextual integrity is a privacy theory that conceptualises the appropriateness of information sharing based on the contexts in which this information is to be shared. Computational models of Contextual Integrity assume the existence of well-defined contexts, in which individuals enact pre-defined roles and information sharing is governed by an explicit set of norms. However, contexts in Online Social Networks are known to be implicit, unknown a priori and ever changing; users relationships are constantly evolving; and the information sharing norms are implicit. This makes current Contextual Integrity models not suitable for Online Social Networks. In this paper, we propose the first computational model of Implicit Contextual Integrity, presenting an information model for Implicit Contextual Integrity as well as a so-called Information Assistant Agent that uses the information model to learn implicit contexts, relationships and the information sharing norms in order to help users avoid inappropriate information exchanges and undesired information disseminations. Through an experimental evaluation, we validate the properties of the model proposed. In particular, Information Assistant Agents are shown to: (i) infer the information sharing norms even if a small proportion of the users follow the norms and in presence of malicious users; (ii) help reduce the exchange of inappropriate information and the dissemination of sensitive information with only a partial view of the system and the information received and sent by their users; and (iii) minimise the burden to the users in terms of raising unnecessary alerts. (C) 2015 Elsevier Inc. All rights reserved.

  • 2011

  • Santoro, Marco; Bottero, Wendy; Crossley, Nick (2011): Worlds, Fields and Networks. Becker, Bourdieu and the Structures of Social Relations. In: Cultural Sociology 5 (1), S. 99-119. DOI: 10.1177/1749975510389726

    Abstract: This paper reflects upon Bourdieu's concept of cultural fields, Becker's concept of 'art worlds' and the concept of networks as developed in social network analysis. We challenge the distinction that Bourdieu makes between the objective 'relations' and 'positions' constitutive of 'social space' and visible social relationships. In contrast, we maintain that interaction is generative of social spaces and positions and should be integral to any account of them. Becker's position is better from this perspective, but while Becker refers repeatedly to social networks, he fails to develop the concept or exploit its potential as a means of exploring social structures. Both Becker and Bourdieu have an underdeveloped conception of social connection which weakens their respective conceptions of the space of cultural production. Our proposed remedy is to use social network analysis to derive 'positions' and 'relations' between 'positions', as prioritized by Bourdieu, from data on concrete interactions and relations. This allows 'world' analysis to speak to the issues of field analysis without sacrificing its strengths. We illustrate our case by way of an analysis of two UK music scenes from the late 1970s.

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