Alle Publikationen
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2016
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(2016): Design and Evaluation of a Touch-Centered Calming Interaction with a Social Robot. In: IEEE Transactions on Affective Computing 7 (2), S. 108-121. DOI: 10.1109/TAFFC.2015.2457893
Abstract: With advances in sensor and actuator design, intelligent computing techniques and personal care robotics, today's robots hold promise as fully interactive, therapeutic human companions. To achieve this ambitious goal, key interaction components must be identified and then systematically designed and evaluated. Based on successes of human-animal therapy, we propose affective touch as one such component. Delivering this adjunct in a controllable robot form allows us to examine its efficacy for therapeutic applications such as anxiety management. With an approach grounded in social cognitive theories for human-animal relations, we deployed a social robot, the Haptic Creature, in an interaction designed to be calming: participants held the robot on their laps and stroked it as it was breathing. As a result, their heart and respiration rates significantly decreased relative to stroking a non-breathing robot. They also reported themselves as calmer and happier.
2011
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(2011): Decorum of the Minuet, Delirium of the Waltz. A Study of Dance-Music Relations in 3/4 Time. Bloomington, IN: Indiana University Press (Musical Meaning and Interpretation). Online verfügbar unter https://ebookcentral.proquest.com/lib/gbv/detail.action?docID=4766639
Abstract: Much music was written for the two most important dances of the 18th and 19th centuries, the minuet and the waltz. In Decorum of the Minuet, Delirium of the Waltz, Eric McKee argues that to better understand the musical structures and expressive meanings of this dance music, one must be aware of the social contexts and bodily rhythms of the social dances upon which it is based. McKee approaches dance music as a component of a multimedia art form that involves the interaction of physical motion, music, architecture, and dress. Moreover, the activity of attending a ball involves a dynamic network of modalities—sight, sound, bodily awareness, touch, and smell, which can be experienced from the perspectives of a dancer, a spectator, or a musician. McKee considers dance music within a larger system of signifiers and points-of-view that opens new avenues of interpretation.
Keywords: Anblick, Architektur (allg), Berührung, Electronic books, Geräusch, Geruch, Gestik, History and criticism, Kinematik, Klang, Kleidung, Körperbewegungen, Körperbewusstsein, Körperrhythmus, Kulturelle Rituale, Mikrobiologische Zusammensetzung von Körpersekreten, Mimik, Minuet (Dance), Musik, Originaltitel zu einem berits eingepflegten book review, ort, Proxemik, Raum, Sonstiges, Soziale Rituale, Tanz, Teilnehmender vs. Zuschauer, Visuelle Wahrnehmung, Waltzes
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